Enriched with small doses of jasmine and rose, the whole formula becomes softer and sensual, full of scents and density of sillage, a fragrant trail that lingers long after you’ve left but never becomes too overwhelming or heavy. This Mediterranean spell follows the wearer of the Light Blue for a long time, like a charm, it will not allow bad thoughts or intentions to penetrate the aromatic aura of this perfume. However, the real magic is created after these ten minutes, when the conjunction of hesperidic notes and amber becomes probably the most magical thing we can smell in modern perfume-making business. Notes of green apple and Sicilian lemon, known for its tartness are the dominant notes of the fragrance. However, the prize awaits those who manage to wait 10 minutes for the perfume to calm down and unite with the skin. The opening of the perfume is very fresh, for my taste almost too fresh, like Versace Dreamer. When you apply it, your head is lifted immediately, the posture is straightened, and the mood becomes fresh and sparkling. It oozes refinement and that old Hollywood elegance from the time when it became obsessed with Italy and Acqua di Parma colognes and ditched the classical French elegance we’ve grown accustomed to in Chanel, Guerlain and Dior fragrances. Light Blue is a refreshing, citrus perfume, but at the same time, it is much more than that. There are moments when I find Light Blue intolerable, and likewise, there are moments when I cannot stop smelling that spot on my wrist where I’ve applied the perfume in an attempt to inhale as much of this intoxicating fragrance as possible. Hence, I understand the clear division that exists within the perfume community when it comes to reviewing Light Blue because I am also divided myself. Both perfumes you either l ove or hate, you cannot be indifferent. Another thing they have in common is people’s reactions. But no other perfume except Angel can measure with the success of Light Blue.Īngel and Light Blue are antipodes, constantly on opposite ends of the specter but nevertheless, they make our entire existence, and one without another would not make sense. Most of these perfumes have endured the test of time and have remained at the very top of popularity despite the passage of time and hundreds of perfumes that appear every year. Just by looking at his creations we can see we’re dealing with a visionary whose fragrant creations not only captivate the noses and hearts of people but also transform the entire perfume industry. Cresp is known for perfumes Cacharel Noa, Dior Midnight Poison, Givenchy Ange ou Demon, Jean Paul Gaultier Kokorico, Kenzo Amour, Thierry Mugler Angel, Paco Rabanne Black XS, Valentino Valentina, YSL Black Opium and many others. Light Blue was made by famous perfumer Olivier Cresp, almost two decades ago, in 2001. Therefore you can rightly say that ninety percent of modern commercial perfumes are a child of either Angel or Light Blue perfumes. The perfume, along with Thierry Mugler’s Angel, inspired hundreds, if not thousands of other perfumes, primarily in a structural but also in every other sense. Great success on the fashion scene was followed by the success of their commercial perfumes and thanks to this brand we got some of the best perfumes in modern times like By and Sicily. Light Blue is a true modern perfume classic of Italian fashion brand Dolce & Gabbana.
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